SCOTT JOINS FACULTY AT SACRAMENTO STATE UNIVERSITY
Scott has been appointed Assistant Professor of Music at California State University, Sacramento! In addition to teaching a variety of theory courses and composition lessons, he will coordinate and lead the redesign of Sacramento State’s music theory program.
SECOND CD TO BE RELEASED IN 2018
Following the successful release of Scott’s debut CD this past January, recordings are under way for Scott’s second disc! “Whispers of Heavenly Death” will feature eight sets of songs Scott wrote between June 2001 and February 2017. Bringing their extraordinary talents to the project are: pianist Éric Trudel, soprano Jamie Jordan, mezzo-soprano Julia Mintzer, tenor Zachary Wilder, baritone Dashon Burton, and flutist Helen Park. Recordings will conclude in November 2017 for a 2018 release. The contents will include Scott’s Spring and All (2001–2005), Holy Sonnets of John Donne (2005–2016), Dogen Songs (2006), Riddle Songs (2007–2008), Three Songs for Autumn (2009), Soir d’Hiver (2016), Three Songs for Summer (2016), and Whispers of Heavenly Death (2016–2017).
WORKS IN PROGRESS
Scott joins a list of distinguished composers contributing new works for organ to a Festschrift for the noted organist David Higgs. Other composers include Byron Adams, Samuel Adler, William Bolcom, David Conte, Jürgen Essl, Martin Herchenroeder, Stephen Kennedy, Robert Kyr, Nico Muhly, Craig Phillips, and Zachary Wadsworth. Scholar-artists Bernhard Haas, Kerala Snyder, and Joel Speerstra will add articles to this celebratory anthology.
Scott is writing his first work for wind ensemble. Commissioned by the Plainville (CT) Wind Ensemble in celebration of the ensemble’s 30th anniversary, the fanfare will be premiered on May 20, 2018, under the direction of Ken Bagley.
Scott is also working on an opera, Pierce, with a libretto by Nat Cassidy. Pierce tells the tragic and horrifying story of the United States’s most obscure leader, Franklin Pierce, haunted beyond comprehension and driven desperately to distraction, as his country descends into civil war. Scott and Nat have already collaborated on a short opera: Charon was commissioned by the Washington National Opera and premiered at the Kennedy Center in 2012.
Also in progress is a multimedia chamber work based on fairy tales by Angela Carter, adapted by Charles Ogilvie. The work will be scored for a small group of vocalists and instrumentalists to include mezzo-soprano Julia Mintzer.
Scott has begun to establish a presence as a composer in his new hometown of Sacramento, CA. Performances of his music at Sacramento State University include the “Sanctus” from A New England Requiem by its University Chorus on November 4, and Three Denali Sketches by its faculty woodwind quintet at the Festival of New American Music (FeNAM) the following week.
“When You are Old,” from The Stolen Child, will be performed at three festivals in early 2018. On February 17, Audivi, under the direction of Noah Horn, will present it at the American Choral Directors Association Central Division’s convention in Chicago, IL. Audivi recorded the work on Scott’s debut album “The Stolen Child: Choral Works of Scott Perkins,” which was released by Navona Records in January 2017. Also in February, the choir of Graham-Kapowsin High School in Graham, Washington, will perform the piece at the Washington Music Educators Association conference in Yakima, WA. And in early March, David Fryling will lead the eVoco Voice Collective in a performance at the American Choral Directors Association Eastern Division’s convention in Pittsburgh, PA. You can hear excerpts from “When You are Old” on Scott’s audio page.
Scott’s newest choral work, Instruments, which was commissioned by the American Choral Directors Association Eastern Division for its 2018 convention in Pittsburgh, PA, will be premiered between March 7 and 10. The piece was written for ACDA East’s High School Honor Choir, which will be conducted by David Fryling with Timothy Plambeck at the piano. The texts of this two-movement work are by Madeleine L’Engle.
On April 29, the Highland Presbyterian Church Chancel Choir will perform Scott’s A New England Requiem. Director of Music Nate Zullinger will lead the choir and orchestra. The work pairs texts from the requiem mass with poems by New England authors Emily Dickinson, Nathaniel Hawthorne, Henry Wadsworth Longfellow, and Lydia Sigourney.
“THE STOLEN CHILD: CHORAL WORKS of SCOTT PERKINS”
On January 13, Navona Records released Scott’s debut full-length CD, “The Stolen Child: Choral Works of Scott Perkins.” The disc features performances by Audivi of three of Scott’s large choral works: A Word Out of the Sea, The Stolen Child, and The World of Dream. Pick up or download your copy today through Amazon, Barnes & Noble, ArkivMusic, or iTunes; or listen on Spotify. Previews are available on Scott’s audio page and on Navona’s website.
Read what critics are writing:
“[Perkins’s] material exudes an ethereal character, especially in the title piece, that leaves an indelible imprint. . . . Especially haunting is the six-movement title work (2006), in which a magical being attempts to protect a child from future sorrows by spiriting it off to the natural world. . . . There’s a sultriness to Perkins’ melodies that’s potent enough to seduce an adult, let alone a less worldly child, and one repeatedly basks in the glorious effect of the cascading vocal melodies, regardless of whether the movement’s character expresses the liveliness of youth (“To a Child Dancing in the Wind I”) or the wistfulness that sets in as the end draws near (“When You are Old”). Structurally the work impresses, too, with Yeats’s title poem framing the four inner movements, which constitute a life cycle, with prologue and epilogue treatments. . . . Each of the three settings feels modern in its compositional design yet at the same time very much connected to the longstanding traditions of choral music. Though there’s a natural fluidity to the vocalizing that ties it to writing of the past, Perkins’ beautiful settings never feel anything less than contemporary.” —Textura
“Perkins’s “neo-modal” language is balanced and fluid. His compositional technique is exquisite. . . . His music is saturated with images and he succeeds in maintaining a scrupulous respect for the word. . . . Perkins captures musically an emotional portrait that reflects the aspirations of these three poets with great expressive power.” —Sonograma Magazine (translated from the original Catalan)
“Scott Perkins builds an intricate world with his choral collection The Stolen Child. . . . These are three very different works which [complement] each other beautifully. [A] Word Out of The Sea is arguably this album’s most haunting inclusion, whilst The World of Dream represents a collection of dreamy, floaty pieces. For me The Stolen Child is easily the most beautiful and pleasing segment. This is an incredible choral work that delivers more intimate themes the more you listen to it. 10 [of 10].” —Darren Rea, Review Graveyard
“The textures of Perkins’ choral music are clearly contemporary, and some of his techniques (such as his elaboration of the sound of a single letter) are quite modern; yet his vocal colors, frequent use of modal language, and direct expressiveness recall the old a cappella tradition. . . . The vocal writing is assured and well- designed throughout all these works. . . .” —Infodad
“All three works are similar in that the emphasis seems to be on the higher voices and everything blending into a conversational, murmury, shimmering sort of sound. It’s hypnotic and intriguing. . . .” —operaramblings
NEW CHORAL RELEASES BY AUGSBURG FORTRESS AND PARACLETE PRESS
In 2017 Augsburg Fortress, the publisher for the Evangelical Lutheran Church in America, will release its fifth and sixth anthems by Scott: Benediction and You, God, Are My Light. Scott will also begin a relationship with Paraclete Press, which will publish his The Wonders of Thy Grace in June 2018. Until then, the anthems are available for purchase through Encore Music Creations. To order, email Encore@EncoreMusicCreations.com.